sluuuurp
sluuuurp t1_j2pw02g wrote
Reply to comment by ilvostro in In 1930s, Music Defense League launched a campaign against recorded sound in movie and live theaters, claiming that numerous musicians would lose their jobs if "canned music" was preferred over live recordings. by Profanion
That’s probably because you knew it was live, not just because the sound was different. Music isn’t just about the sounds our ears hear, it’s also about the context and our state of mind when we hear it.
sluuuurp t1_j2ohp55 wrote
Reply to comment by DreadPirateGriswold in In 1930s, Music Defense League launched a campaign against recorded sound in movie and live theaters, claiming that numerous musicians would lose their jobs if "canned music" was preferred over live recordings. by Profanion
If they aren’t using speakers to amplify the musicians you could probably tell the difference. But in broadway theaters they’re likely doing a lot of amplification which would make live and recorded sound the same.
sluuuurp t1_j2oee01 wrote
Reply to comment by DreadPirateGriswold in In 1930s, Music Defense League launched a campaign against recorded sound in movie and live theaters, claiming that numerous musicians would lose their jobs if "canned music" was preferred over live recordings. by Profanion
It might be more emotional because you know there are humans performing it.
But I doubt you could identify it as more emotional in a blind sound test. The sound is recorded with the same microphones and is played through the same speakers, it will sound identical in both cases. (This is assuming that most seats hear sound from speakers rather than from the instruments directly, which I believe is a fair assumption for most seats in most broadway theaters.)
This is basically the same idea as why people go to see the real Mona Lisa rather than a reprint. It looks 100% identical in every way, but knowing that it’s the real thing rather than a reproduction makes a difference anyway.
sluuuurp t1_iwjvyeq wrote
I searched “point cloud”, “GNN”, and “convolution”, each with zero results, then I gave up. I don’t see how this is supposed to be better than googling what you’re looking for.
sluuuurp t1_j2qtbai wrote
Reply to comment by LSF604 in In 1930s, Music Defense League launched a campaign against recorded sound in movie and live theaters, claiming that numerous musicians would lose their jobs if "canned music" was preferred over live recordings. by Profanion
I agree, but broadway shows use tons of amplification so I’m not sure if the same thing applies there. For a traditional unamplified orchestra I agree.