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brkh47 t1_j2tck2p wrote

Except for The Power of the Dog, directed by Jane Champion, the other three were all Paul Thomas Andersen directed films. It seems the two are old friends, have been working together for over a decade and are “one of the most beloved composer-director pairings working today.”

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[deleted] t1_j2tzqk6 wrote

[deleted]

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typhoidtimmy t1_j2vjg3m wrote

Radioheads Kid A is akin to David Bowie’s Low in my eyes….an album so tuned into the essence of the artists and just able to stand on its own, it is what I will compare all their other works too.

One of those albums that is the complete package for me with every song being the sum of its parts….just amazing work.

I can’t believe critics hated it at first because it was so different from Ok Computer.

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bolanrox t1_j2xws3r wrote

I loved National Anthem the second i heard it.

the same critics also loved Pinkerton so what do they know?

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bolanrox t1_j2t3zd1 wrote

he was the composer in residence for the BBC for a bit too.

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[deleted] t1_j2tclkp wrote

Yeah, they're pretty neat. Thom did the soundtrack to the Suspiria remake too.

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graveslids t1_j2trx7b wrote

Also had a role in HP & the Goblet of Fire as a member of the a Weird Sister's (Kirley Duke).

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OakParkCemetary t1_j2tvnnq wrote

Reverb

"That's a nice way to start, Jonny"

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Black_flamingo t1_j2u5kz1 wrote

The variety in his scores is astonishing. He's incomparable really.

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stesha83 t1_j2xymyq wrote

I would argue Greenwood is more well known individually for his scores than his membership in Radiohead at this point.

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HomarusSimpson t1_j316b9x wrote

Also for You were never really here. A fantastically dark film

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