When you bought an audiophile headphone for the first time but it doesn't sound that goodSubmitted by GLikesSteak t3_yi45nm in headphones
crod242 t1_iui6tk1 wrote
suppaboy228 t1_iui9w3z wrote
That's nonsense.
I mean the explanation is so badly out of touch, that it will be a complete bullshit for anyone remotely understanding the principles of amplification.
untidy_scrotsman t1_iuibc1o wrote
Yep. He's just talking out of his ass. It's laughable.
suppaboy228 t1_iuibpfn wrote
I'm amazed at how many people are buying into that bullshit. Like I'm not an engineer and my grades weren't good at school, but I can smell bullshit right away.
crod242 t1_iuiagfz wrote
How so? I'm not pretending to be an expert, but I thought it seemed more plausible than some of the other claims that are often made. What does he get wrong specifically?
suppaboy228 t1_iuibhu3 wrote
There isn't such thing as voltage swings being abrupt or smooth. The amplifier amplifies the signal that is fed to it.
If you run it within the headroom range, then it will be the same. If you will overdrive the amp, it will compress and sag. In more extreme cases you will be able to hear audible distortion (like in guitar amps).
If the source sounds loud enough at 80% of the volume, then you don't need an amp. If it's lacking in volume and you crank it full, then it's probably a time to buy an amp.
You will not hear a difference in a blind test between a hi-end and budget amplifier unless there's some DSP or filtering involved. If you have any of those expensive amps, you can sell them right now unless you're emotionally attached to them and make you feel good.
Then-Effective5434 t1_iuiujln wrote
Based
audioen t1_iujxe26 wrote
This guy sounds like he is totally wrong, but he is roughly correct in that you need low output impedance amplifier to drive variable impedance loads correctly. I am parsing this is what he is talking about, though he doesn't use the right technical terms. He talks about "voltage swings" and "amplifier power", and these are pretty awful ways to describe the problem. Low output impedance is unrelated to having lots of power, or "high" voltage in output side.
Audio is not actually demanding application for electronics. Circuits can switch states at gigahertz rates, and audio is very, very slow signal in comparison, so electronics can trivially follow and reproduce it without ever having to care about real high frequency stuff such as signal path lengths. Power requirements of headsets are also trivial, usually milliwatts or so before they get so loud that your hearing is at risk, and this is still less than would be used by a standby LED of a random home appliance. The voltages needed are similarly on the low side, for a typical lower impedance headset it is probably less than 0.2 V, and this translates to current demands that are a few milliamps, so again, barely anything. Therefore, good enough amplifiers do not need to be large or expensive, but more like finger-nail sized and cost a few bucks to put together. The existence of these external usb soundcards that are often called DAC dongles (but they actually can have dozens of milliwatts of output power) is the proof of what I am saying here.
crod242 t1_iujz4wo wrote
Then what explains the difference most people report between solid state and OTL amps with the HD 600?
I'm sure some of it can be attributed to placebo and justifying the investment in expensive gear, of course. But enough people who otherwise know what they're talking about seem to be convinced, so it's hard to dismiss entirely. I'm not saying you have to spend thousands, but there must be at least some differences between solid state and tube amps.
Are you saying that in this particular case, the sound from the 600 at equal volume would be completely indistinguishable when plugged into either a JDS Atom or something like a Bottlehead Crack?
eckru t1_iuk24d2 wrote
>Then what explains the difference most people report between solid state and OTL amps with the HD 600?
Output impedance.
crod242 t1_iuk3avm wrote
What specific effect does that have on sound quality at similar volume levels? How does that account for warmth, clarity, and other characteristics that people frequently associate with different amp types?
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