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Ancient-Common-9913 t1_j8xah4b wrote

Sorry to not be a great constructive contribution to your question, but these headphones are very difficult to drive for one, and using a completely different driver tech which favors transparency and detail but falls short for dynamics and proper harmonics/ notes overtones. Very dry sounding.

The headphones are also subjectively not great and you may downgrade to an Arya V3 or MM500 and experience superior sound results

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pkelly500 t1_j8ye8w9 wrote

Don't get an MM-500 for just music enjoyment. They're designed for mixing and mastering, with no colorization of the sound. It's designed to be flat, a magnifying glass only of what was recorded.

You say you record and mix music, so the MM-500 could be good for that purpose. but I think you would be better off buying a good $300 mixing headphone for your composition work and then a quality $1,500 headphone for musical enjoyment. Goldilocks doesn't really exist in audiophile headphones.

While that sounds pure and honest on the surface, most of us want some sort of sugar or spice added to our frequency curves. Pure can be beautiful; it also can be boring or expose recording warts you don't want to hear.

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petethebeat14 OP t1_j8yh47n wrote

I don’t understand the benefit to any headphones that don’t have a good balance of dynamics. Like, so much of music is that.

Perhaps ambient, classical, jazz could benefit? I didn’t realize there was this much nuance to this hobby!

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