Submitted by FauxCharlatan t3_yrko21 in books
I am curious what my fellow readers think of The Sparrow, as I did not like it.
Read on for personal opinion (NO SPOILERS):
I am sure that I am in the minority here when I say that I thought it was terrible. Well, perhaps terrible is a bit harsh, but grossly overhyped.
It read like a book that would end up being great source material for a HBO or Amazon show. "Cerebral" enough that many consider it deep, but narratively formulaic so that it is familiar, unchallenging, and digestible to a wide audience.
The plot was not interesting (do not even get me start with plausible...such as the perfect functioning of an asteroid as a ship, the US government not intervening at the first sign of proven contact with an alien species, or the insanity of blithely gorging on completely alien food, with unknown genetic, and bacterial attributes, etc. etc.), and the characters were all fairly one dimensional. The "witty" banter was insufferable, and the amount of times I rolled my eyes when characters "laughed-out-loud" were incalculable.
What is unfortunate is that I was really excited to start this book. It was recommended to me by two different friends on two separate occasions, and since I enjoy science fiction, it seemed like a natural fit.
Perhaps the core issue here is one of framing. I went in expecting a lot of from this text, considering its many accolades and the praise its maintained 26 year after publication. The novel positions itself as a teleological investigation, exploring the empyrean and grappling with subjects like theology and ontology. However, I never felt like any vision was fully realized. Was this a science fiction novel about first contact, and the immeasurable changes to society and ultimately humanity ushered in by such an event? Was it a commentary on colonialism, using a science fiction context to highlight the difficulties of human communication and understanding in our own world? Or is this a novel on the nature of faith and love, detailing a man's struggle with his relationship with God? None of these themes ever really took center stage.
Sure SJ's narrative arch really picks up near the end (the last theme from the previous paragraph), soaring high early in the novel only to land concussively low, but the crux of his journey comes far to late to salvage any rhetorical impact. If the central question of the novel was a man's struggle with faith, then I feel like MDR could have cut out at least half the material (and a lot of the characters..RIP J Quinn) and it would have been a far more interesting story.
Finally, to balance out some of this vitriol, I will end on a positive note. I thought its narrative architecture was interesting. Telling a single story from two separate points on a single timeline, and moving them at different rates towards the same destination was cool, playing on the 'time is relative' theme with space travel.
Thoughts?
mrburnttoast79 t1_ivu6wse wrote
Ugh. Yeah I read that probably 15 years ago and it was sooo boring and took me way to long to get through.