death_by_chocolate t1_j1gyddt wrote
Better than what? Streaming? Those signals are squished. Which is the fancy-schmancy technical term for compressed. Those folks are not gonna make any effort to make a full-bandwidth data stream available when most people can't tell the difference or even care anymore. Shit costs money.
The signal chain all the way though is typically garbage these days anyway. Cheap headphones, choppy digitization, noisy devices. 75% of your customers are not even equipped to discern the difference.
And for the other 25% you can make 'em pay extra for a lossless signal.
It's a great business model. Take a medium, chop substantial portions of it away to make it simpler and cheaper to broadcast, and then charge a fee to have the deleted portion put back. "Oh, you want all of it? Well there's gonna be a charge for that. Pixels don't grow on trees, y'know."
Fluffy_Little_Fox t1_j1hcdjp wrote
I'll just leave this here.
https://www.npr.org/sections/therecord/2015/06/02/411473508/how-well-can-you-hear-audio-quality
(I feel dumb that I couldn't even tell a WAV file from an MP3).
death_by_chocolate t1_j1huylg wrote
But this is pointless. A chain is only as strong as its weakest link. Again: "The signal chain all the way though is typically garbage these days anyway. Cheap headphones, choppy digitization, noisy devices. 75% of your customers are not even equipped to discern the difference." Nobody knows the quality of the source here so whatever appears at the other end is meaningless anyway.
Sure, you can make the argument that efforts to appease the 25% of folks who have invested the $3k-to-$5k (or more--sometimes much more) necessary to make a high level of source detail clearly audible at the other end are simply wasted. You're broadcasting color television signals to viewers who only have black-and-white sets.
But this is not the same as asserting that it's not even there to begin with, or that intentionally degrading your signal to make it cheaper to provide is not, at some level, disingenuous. Of course it is.
But lots of people are perfectly willing to make the trade-offs offered, of course: price against quality against convenience. Pick any two, as they say. But there are also plenty such as OP here who are not even fully aware of how much they are missing, or how much their expectations have been lowered. And it always saddens me when the good-faith efforts of talented musicians and meticulous recording engineers are essentially flushed away.
But, to be sure, the only one whose ox is really being gored is the last one on the chain --the consumer.
Fluffy_Little_Fox t1_j1hw6b8 wrote
Audiophiles hate me.
I like cheap gear, but it's gear that sounds good ~to me~
A cheap $11 set of Skullcandy Ink Plus earbuds.
A cheap $25 set of One Odio A71 Over Ear Cup Headphones.
My dumb little SD05 cheapie Chinese Mini-Amp.
My old as dirt $35 "Sony D-NE320" CD Player that can play burned ATRAC CDs
The only thing super fancy I have is my Hiby R3 Saber that I paid $150 for and while it's very small and convenient, the sound is .... TOO clean??? TOO analytical?
I like what the D-NE320 and the ATRAC conversion process does to the sound. Yes, I'm aware FLAC is better. Yes, I'm aware I am probably adding extra degradation by letting Sony Sonic Stage 4.3 make ATRAC files from my 320kbps MP3 files.
But the thing is ..... I don't care.
It sounds good ~to me~
It makes ~me~ happy.
lateral_jambi t1_j1i91zj wrote
No. Wrong.
/s
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